#Selmer reference 54 alto vs mark vi serial#
#Selmer reference 54 alto vs mark vi full#
#Selmer reference 54 alto vs mark vi pro#
#Selmer reference 54 alto vs mark vi professional#
#Selmer reference 54 alto vs mark vi series#

#Selmer reference 54 alto vs mark vi series#

As times changed, so did SelmerвЂ™s models and the Mark VI evolved to the Mark VII, the Super Action 80, the Series II, and Series III. Even today, it is the chosen вЂvintageвЂ™ instrument by professionals around the world. The Balanced Action and Super Action saxophones would follow leading up to the introduction of the Mark VI in 1954.Д«etween 19, Selmer Paris sold over a quarter million units of the Mark VI. It wasnвЂ™t until the release of the Balanced Action saxophone in 1936 that Selmer Paris truly established their position as the leader in saxophone design. Later Selmer would even begin manufacturing guitars in partnership with Mario Maccaferri. In 1931, Selmer acquired the brass manufacturer Millereau and began making trumpets. The Selmer brand continued to grow strength in woodwinds. In 1922, Selmer introduced its first saxophones under the name вЂњSeries 22вЂќ. In 1905, Henri took over the Barbier Company, a flute maker in Paris. These instruments would gain in popularity in Europe and America, winning awards at the 1900 Paris Exhibition and in 1904 St Louis WorldвЂ™s Fair. In 1898, HenriвЂ™s brother, Alexandre left for the US and began selling clarinets as he toured with the Boston Symphony Orchestra. In 1885 following graduation from the Conservatoire de Paris, Henri Selmer began making reeds, mouthpieces, and clarinets in Paris.

#Selmer reference 54 alto vs mark vi professional#

When horns like this come along, it seems like a no brainer to take the plunge and get the real thing for only a bit more than a new Reference 54.A Clarinets Accessories AirTurn Alto Flutes Alto Sax Reeds Alto Saxophone Reeds Alto Saxophones Backun Accessories Bags and Cases Baritone Horn Baritone Sax Reeds Baritone Saxophones Barrel Bass Clarinet Reeds Bass Clarinets Bb Clarinet Reeds Bb Clarinets Bb Student Clarinets Bb trumpets Bb Wooden Clarinets Bb/C Trumpets Brass Brass Accessories Brass Instruments Care Products Clarinet Clarinet Accessories Clarinet Ligatures Clarinet Mouthpieces and Caps Clarinet Reeds Clarinets Cleaning Cornets Double Reed Eb Clarinet Reeds Eb/C/D Clarinet Education educaton Embouchure Training EWI Flugel Horn Mutes Flugel Horns Flute Flute Accessories Flutes Flutes Intermediate Flutes Professional / High End Flutes Semi Professional Flutes Student / Beginner French Horn French Horn Accessories French Horn Mutes French Horns General General Accessories Instrument Stands Instruments Key Leaves Ligatures Lyres Mouthpiece Cushions Mouthpieces Mouthpieces and Related Music Stands Mutes Oboe Oboes Odds and Ends Oils and Lubricants Other Brass Piccolos Piccolos Student / Beginner Pre-loved Professional Pull-throughs Reeds & Related Reeds and Related Sax Mouthpieces and Caps Saxophone Accessories Saxophone Ligatures Saxophone Mouthpieces and Caps Saxophone Reeds Saxophones Second Hand Alto Mouthpieces Second Hand Baritone Mouthpieces Second Hand Clarinet Mouthpieces Second Hand Mouthpieces Second Hand Soprano Mouthpieces Second Hand Tenor Mouthpieces sheet music Sopranino Sax Soprano Sax Reeds Soprano Saxophones Stands Stocktake reeds Straps and Harnesses Student Flutes Tenor Horn Mutes Tenor Sax Tenor Sax Reeds Tenor Saxophones Trombone Mutes Trombones Trumpet Mutes Trumpets Trumpets - Other Keys Trumpets - Pocket Tubas Tuners and Metronomes Woodwind Woodwind Accessories Nothing against the Reference 54, but it is not the same as a 1954 Mark VI. Selmer's attempt to recreate this 1954 Mark VI with their Reference 54 is almost laughable.

#Selmer reference 54 alto vs mark vi full#

It's full and rich, and a touch on the dark side. The sound of this horn is characteristic of the early Mark VI's. His work will last years before additional repair is necessary. The horn responds and feels like it's brand new. He also replaced the springs, which gives the action a very even feel, but not too heavy.

#Selmer reference 54 alto vs mark vi pro#

His work is world class, and he uses what are widely considered the best materials available in his overhauls, including Pisoni Pro pads and reusable TM metal resonators. The sax just received a full mechanical restoration from Eric Beach. The body is straight and the lacquer loss is due to decades of honest playing. This sax still has approximately 50% of its original lacquer, and the patina is beautiful.

#Selmer reference 54 alto vs mark vi serial#

The neck has never been pulled down and has the matching serial number. It has the rare 'double S' logo, which if you look closely is actually an S and C, for Selmer et Cie. Here is one of the very first Mark VI alto saxophones Selmer made.